" Let's find a quiet place, and I'll tell you a story to sleep "
Wednesday, October 24, 2007
Best Brands Of Toilet Ware In India
" Let's find a quiet place, and I'll tell you a story to sleep " 
Wednesday, August 15, 2007
Thursday, May 17, 2007
Silverpricehistory2011
TEN WAYS TO ENTER THE PICTURE BOOKS
1-The narrator dumb. have to cover the text of the book before it is read, and view or to see the pictures carefully. It is only telling the story from what is in the illustrations. It is important to do this exercise several. If age permits each participant can enter text. Then compared. If not, simply counted. We suggest not to rule out any account. The important thing is to see how each one supports.
2-The narrator blind. A parallel exercise is to tell the previous text while seeing the illustrations and allow the child (or adult) imagine their own pictures and then compare. The aim is a hand, let children (or adults) develop their own pictures and, on the other, understand that the display is not the only illustrator. That is one reading.
3-The short story. An illustration has a number of narrative elements "frozen." The practice is to take a picture and see in it elements that are (the relationship between the characters, time of day, the environment, time, etc..) And thawing, ie, imagine or describe what happened before or since.
4-illustrator naughty. often gives the book illustrator narrative or symbolic elements that are not in the text and can even change its meaning. There are other cases in which the key to the story told in the text is in the picture elements (eg in the attic of Oram and Kitamura, or Martha Goodnight Lola Alexander). Through this activity is to find which items are the images that are not in the text.
5-After the hurricane. is proposed to photocopy the book's illustrations and mix (child or adult should carefully observe the pictures and give them an order. Then they should discuss why they put them in that order. Again we emphasize that it is not important if that order is identical to the book; the important thing is that the system has internal consistency. For this, the child or adult should observe the narrative elements of the artwork.
6-Separate fractions. A fun and interesting strategy is to show only fragments of the illustrations and ask what is or what his place. This perception is developed to detail and exercise the understanding of the perceptual logic of the image. You can make funny variations of this strategy (like putting the head fragment) or tending to the perceived importance of placing the composition in different areas of a picture element.
7-Compare versions. One exercise that can be very revealing to compare different versions of Illustrator on the same story. It is difficult to do this with modern texts, but relatively easy with classic, Alice in Wonderland over 250 versions of illustration; of Pinocchio as many. It is an exercise you can do with small children and also great readers and adults.
8-El detective. One of the most complicated illustrator to customize characters. This strategy suggests removing your images before you imagine reading their biographical characteristics, who she is, how is your character, what their social background and their job, what time and from culture. Then compare the results with text descriptions. You can do the reverse: pick a few sentences describing the character and imagine or draw.
9-Watch your eyes. One of the most crucial features in the picture is the look of the characters, how they look at each other, how to establish or no eye contact with us. The exercise is to look carefully at the eyes. In his talks, Genevieve Patte shows how the way the characters look at each other or we look is essential to feel the warmth of a book on black and white, like many of Maurice Sendak, appear much closer than other colors.
10-Y the story continues. is suggested to readers that the story does not end up where the book ends and they must offer the very end with another illustration.
Spaces for reading, body Network Reading Promotion of Economic Culture Fund (year 1, no. 1, 1995, p. 12) 
1-The narrator dumb. have to cover the text of the book before it is read, and view or to see the pictures carefully. It is only telling the story from what is in the illustrations. It is important to do this exercise several. If age permits each participant can enter text. Then compared. If not, simply counted. We suggest not to rule out any account. The important thing is to see how each one supports.
2-The narrator blind. A parallel exercise is to tell the previous text while seeing the illustrations and allow the child (or adult) imagine their own pictures and then compare. The aim is a hand, let children (or adults) develop their own pictures and, on the other, understand that the display is not the only illustrator. That is one reading.
3-The short story. An illustration has a number of narrative elements "frozen." The practice is to take a picture and see in it elements that are (the relationship between the characters, time of day, the environment, time, etc..) And thawing, ie, imagine or describe what happened before or since.
4-illustrator naughty. often gives the book illustrator narrative or symbolic elements that are not in the text and can even change its meaning. There are other cases in which the key to the story told in the text is in the picture elements (eg in the attic of Oram and Kitamura, or Martha Goodnight Lola Alexander). Through this activity is to find which items are the images that are not in the text.
5-After the hurricane. is proposed to photocopy the book's illustrations and mix (child or adult should carefully observe the pictures and give them an order. Then they should discuss why they put them in that order. Again we emphasize that it is not important if that order is identical to the book; the important thing is that the system has internal consistency. For this, the child or adult should observe the narrative elements of the artwork.
6-Separate fractions. A fun and interesting strategy is to show only fragments of the illustrations and ask what is or what his place. This perception is developed to detail and exercise the understanding of the perceptual logic of the image. You can make funny variations of this strategy (like putting the head fragment) or tending to the perceived importance of placing the composition in different areas of a picture element.
7-Compare versions. One exercise that can be very revealing to compare different versions of Illustrator on the same story. It is difficult to do this with modern texts, but relatively easy with classic, Alice in Wonderland over 250 versions of illustration; of Pinocchio as many. It is an exercise you can do with small children and also great readers and adults.
8-El detective. One of the most complicated illustrator to customize characters. This strategy suggests removing your images before you imagine reading their biographical characteristics, who she is, how is your character, what their social background and their job, what time and from culture. Then compare the results with text descriptions. You can do the reverse: pick a few sentences describing the character and imagine or draw.
9-Watch your eyes. One of the most crucial features in the picture is the look of the characters, how they look at each other, how to establish or no eye contact with us. The exercise is to look carefully at the eyes. In his talks, Genevieve Patte shows how the way the characters look at each other or we look is essential to feel the warmth of a book on black and white, like many of Maurice Sendak, appear much closer than other colors.
10-Y the story continues. is suggested to readers that the story does not end up where the book ends and they must offer the very end with another illustration.
Spaces for reading, body Network Reading Promotion of Economic Culture Fund (year 1, no. 1, 1995, p. 12)
Wednesday, May 16, 2007
Wednesday, April 18, 2007
Country Curtains Priscilla
Sleazy Begins!
April 26 begins the Sleazy Madrid!
SleazyMadrid is the main character gay fetish encounter at the international level is held annually during the bridge of the first of May in the capital of our country. This event, which has several years of existence, has been increasing successively the number of attendees, currently getting, total.El be a successful event takes place in form of different parties in bars, nightclubs, restaurants, cafes, shops, etc, as well as in special events in any of the other business partners. Everything takes place in the same area of \u200b\u200bthe city, around the gay neighborhood in the heart of Madrid, just off the Gran Via, so you move from one place to another is very comfortable and you do not take taxis or transport public, just as only a walk from one room to another as the maximum is ten minutes.
ETP Boys will be in some of these parties, as well as condoms and lubricants will be delivered to the local theme parties and participating in this event.
Sleazy Happy!
Tuesday, April 3, 2007
I-catcher Console - Web Monitor Bangkok
participate in "everywhere" ... We started the blog
These are premises that are participating in the project "everywhere"
BARS AND SEX CLUBS
The Angel . C / Campoamor, 11
Bengal. C / Bracket, 1
Bears Bar C / Pelayo, 4
Copper. C / San Vicente Ferrer, 34
BARS AND SEX CLUBS
The Angel . C / Campoamor, 11
Bengal. C / Bracket, 1
Bears Bar C / Pelayo, 4
Copper. C / San Vicente Ferrer, 34
Cruising. C / Benito Perez Galdos, 5
Eagle. C / Pelayo, 30
front. C / Infantas, 14
Hell. C / Buenavista, 14
Hot. C / Infantas, 9
Leather. C / Pelayo, 42
LL. C / Pelayo, 11 O'Clock
. C / San Marcos, 11
Odarko. C / Loreto y Chicote, 7
The Paso. C / Costanilla Capuchin 1, Madrid.
The Paw. C / Calatrava, 29
SX Men Club. C / Augusto Figueroa, 21.
SAUNAS
Alameda. C / Alameda, 20
Comendadoras. Comendadoras Plaza, 9
Cristal. C / Augusto Figueroa, 17
Men. C / Pelayo, 25
Moratalaz New Spa. C / José del Prado y Palacios, 5.
Octopus. C / Churruca, 10
Paraiso. C / Norte, 15
Prince. C / Cruise Beatas 3.
also have to mention the festivals organized by the portal Bakala.org, where we are always very welcome
Eagle. C / Pelayo, 30
front. C / Infantas, 14
Hell. C / Buenavista, 14
Hot. C / Infantas, 9
Leather. C / Pelayo, 42
LL. C / Pelayo, 11 O'Clock
. C / San Marcos, 11
Odarko. C / Loreto y Chicote, 7
The Paso. C / Costanilla Capuchin 1, Madrid.
The Paw. C / Calatrava, 29
SX Men Club. C / Augusto Figueroa, 21.
SAUNAS
Alameda. C / Alameda, 20
Comendadoras. Comendadoras Plaza, 9
Cristal. C / Augusto Figueroa, 17
Men. C / Pelayo, 25
Moratalaz New Spa. C / José del Prado y Palacios, 5.
Octopus. C / Churruca, 10
Paraiso. C / Norte, 15
Prince. C / Cruise Beatas 3.
also have to mention the festivals organized by the portal Bakala.org, where we are always very welcome
Monday, March 12, 2007
White Skin Blonde Hair Red Lipstick
Hello! Welcome to the blog of "everywhere." This blog is associated with www.entodaspartes.info website. If you want to know what goes on in this project and bars that are part of it, or if you have any questions, write to listaetp@gmail.com
Tuesday, February 13, 2007
Prayer Before Take Defense Of Thesis
Shows "Parties to History" - Museum of Art and The Memory of Religious Bodies La Plata
SIGNS OF TERROR
Andrea Trotta
During the last military dictatorship language infiltrated everyday life as a latent threat but explicit, to the point that could be confused with the monotony of being, seeing and hearing the same thing: a corpse found himself next to the obelisk ", shot, The Nation published the same year when the coup occurred.
The mechanism of state terrorism was to say without knowing. Or, if necessary or, to know without saying. This peculiarity was first played by the media without restraint and with the thoroughness mathematical calculation. Specific data about data, describes a reality leading to a truth that shifts the direction of gaze. It is a lie: the truth requiring subjects to do, see, hear and say only what is permitted as long as can be tolerated. Effective stroke that was built on military language caused an inalienable link between reality and fiction.
Among the information that was displayed in all the newspapers of-factly about the appearance of the bodies of the year 76 and disappearances of people seemed to have no overlap. Nor was there any further reading that would unite the faces of the disappeared who Página/12 began publishing, and he was born in 87, with the corpses "unidentifiable" than a decade ago crammed the Argentine newspapers.
That was the sinister game of soldiers, the newspapers announced the discovery of bodies, the radio transmission to announce cut in an "encounter" had been killed a "terrorist", or some, scores, no matter how many, but those who "knew" is eased.
Instead of beagles, the DGI threatened violators with a tank, the bus stops bore the ominous phrase "Detention Area" instead of the old white post. Throughout Argentina had become, in many obvious signs, in a quiet and effective threat. Argentina was completely militarized. It was the "metaphor of the field concentration camp."
León Ferrari, connecting all those small notes that newspapers published and carelessly scattered, rescued the reality that way media blew. This work took the form of work and entitled "We do not know."
Today, with my little work, I try to assemble the notes of bodies found and these nameless faces, forever young, that challenge us every morning when I open the newspaper. Message
León Ferrari for this sample sent on September 17, 2006:
Bibliography and newspaper sources:
D'Andrea Mohr, José Luis: report due , Colihue, Buenos Aires, 1999.
Piglia, Ricardo: Criticism and Fiction , Seix Barral, Buenos Aires, 2000. Raquel
Angel: "Interview with Ricardo Piglia" Página/12 , Buenos Aires, July 12, 1987. Http://www.pagina12.com.ar/diario/elpais/1-11723-2002-10-20.html
"The footprints we leave on the walls
or objects are retrieved
for whom both the city with his touch.
The traces of history and emotion [...]
spell return to lower and to the most unexpected of flukes.
That's when the city's visual shrapnel
leap from the memory of the eye, not as a matter of nostalgia,
but making sizzling sleepy areas of the soul. "
Christian Ferrer, 1996.
or objects are retrieved
for whom both the city with his touch.
The traces of history and emotion [...]
spell return to lower and to the most unexpected of flukes.
That's when the city's visual shrapnel
leap from the memory of the eye, not as a matter of nostalgia,
but making sizzling sleepy areas of the soul. "
Christian Ferrer, 1996.
SIGNS OF TERROR Andrea Trotta
During the last military dictatorship language infiltrated everyday life as a latent threat but explicit, to the point that could be confused with the monotony of being, seeing and hearing the same thing: a corpse found himself next to the obelisk ", shot, The Nation published the same year when the coup occurred.
The mechanism of state terrorism was to say without knowing. Or, if necessary or, to know without saying. This peculiarity was first played by the media without restraint and with the thoroughness mathematical calculation. Specific data about data, describes a reality leading to a truth that shifts the direction of gaze. It is a lie: the truth requiring subjects to do, see, hear and say only what is permitted as long as can be tolerated. Effective stroke that was built on military language caused an inalienable link between reality and fiction.
Among the information that was displayed in all the newspapers of-factly about the appearance of the bodies of the year 76 and disappearances of people seemed to have no overlap. Nor was there any further reading that would unite the faces of the disappeared who Página/12 began publishing, and he was born in 87, with the corpses "unidentifiable" than a decade ago crammed the Argentine newspapers.
That was the sinister game of soldiers, the newspapers announced the discovery of bodies, the radio transmission to announce cut in an "encounter" had been killed a "terrorist", or some, scores, no matter how many, but those who "knew" is eased.
Instead of beagles, the DGI threatened violators with a tank, the bus stops bore the ominous phrase "Detention Area" instead of the old white post. Throughout Argentina had become, in many obvious signs, in a quiet and effective threat. Argentina was completely militarized. It was the "metaphor of the field concentration camp."
León Ferrari, connecting all those small notes that newspapers published and carelessly scattered, rescued the reality that way media blew. This work took the form of work and entitled "We do not know."
Today, with my little work, I try to assemble the notes of bodies found and these nameless faces, forever young, that challenge us every morning when I open the newspaper. Message
León Ferrari for this sample sent on September 17, 2006:
Dear Andrea.
It seems very good and appropriate to your project. These reminders appear in page (an extraordinary initiative of the newspaper that no thank you) but someone to be responsible to analyze, comment. (...)
A big hug lion
Bibliography and newspaper sources:
D'Andrea Mohr, José Luis: report due , Colihue, Buenos Aires, 1999.
Piglia, Ricardo: Criticism and Fiction , Seix Barral, Buenos Aires, 2000. Raquel
Angel: "Interview with Ricardo Piglia" Página/12 , Buenos Aires, July 12, 1987. Http://www.pagina12.com.ar/diario/elpais/1-11723-2002-10-20.html
Sunday, February 11, 2007
Religious Eastersayings
Religious Bodies is part of an investigation and a concern by atomization of man, his separation from nature and its dismemberment ... and an attempt to return it.
See more pictures at http://andrea-trotta-proyectos.blogspot.com
Monday, February 5, 2007
Spy Cam Ladies Spiaggia
Urban Environment - Urban Intervention
*********
Urban Environment was an action taken in the Caminito neighborhood of La Boca along with the artists Matías Rodríguez, Fernando Vega, Cecilia Hair and collaboration with Fernanda and Daniela Rivera Caminero.
The action performed by linking a job he had done in 2002 with a group of young fans and the current situation in the neighborhood.
soon add more material on the action.
despise the shame charity holds Atahualpa Yupanqui
about four years ago with a group of employees of the Editorial Colihue, with good intentions, we begin to participate in a draft draft draft draft in a soup kitchen in the neighborhood of La Boca, "buds."
There was, as you noticed, a "project" was clear and that is why I decided to leave because they felt that our work was only a palliative. And, worse, by not having a strong goal to transform at least part of the reality or provide, perhaps, ways they can transform themselves something or "mixed", especially if the parents orientábamos, "what we were doing was becoming the crystallization of an ominous reality, these small needed primarily an "excuse" to live without being bought for pennies.
My task, in principle, was to give an art workshop for young ones, but first he must put them in a row and my roll of paper towels, which I took off for the "mission" - I was cleaning one by one , nose.
Sometimes, the kids, naturally, we came to tell who had been evicted tenement shacks of sheet metal, only supported by some pins where they lived three families or more, due to a fire caused by a candle.
For lack, not of money but the most basic needs, people in this community do not pay for electricity service and cutting off the supply company. Nor can "hang" as the entire neighborhood lives in the same precarious.
What raised the kids, probably held in replicas of their parents, there was the tragedy of overcrowding or lack of basic services, but in the shed where the state had temporarily located there were not enough mattresses. The fire disaster, which obviously I did not lose too much, hunger, lack of work was not the problem, but the safe patch that appeased the complaints and reproaches.
Once one of the kids came to me and shouted: "Bryan * is fucked." I was weird because that baby, barely two years old, I knew going to the bathroom. I went and saw him perky on the edge of the toilet trying to reach the chain to pull it, had the pants to the ankles and from the tail to the pants, rolled down there, ran a strip yellow liquid, a yellow almost fluorescent. Bryan was not "fucked." This liquid was dripping coming from your stomach in which there was nothing solid.
Today, the tenement where he lived Bryan was shot down (he was in danger of collapse). Now instead made a beautiful and colorful space to complete the new circuit that is unfolding in La Boca. The Community Dining buds-Garibaldi 1856 - is being refurbished by NIKE, one of many multinational companies that have employees in black working in subhuman conditions. But buds will have mottled walls, vibrant colors, kids with a nose full of snot-until they get away from the area completely, so that the tourists feel comfortable, "safe" and achieve the best pictures in its long-awaited and happy ride. Andrea Trotta
November - 2006
* Not the real name of the child.
about four years ago with a group of employees of the Editorial Colihue, with good intentions, we begin to participate in a draft draft draft draft in a soup kitchen in the neighborhood of La Boca, "buds."
There was, as you noticed, a "project" was clear and that is why I decided to leave because they felt that our work was only a palliative. And, worse, by not having a strong goal to transform at least part of the reality or provide, perhaps, ways they can transform themselves something or "mixed", especially if the parents orientábamos, "what we were doing was becoming the crystallization of an ominous reality, these small needed primarily an "excuse" to live without being bought for pennies.
My task, in principle, was to give an art workshop for young ones, but first he must put them in a row and my roll of paper towels, which I took off for the "mission" - I was cleaning one by one , nose.
Sometimes, the kids, naturally, we came to tell who had been evicted tenement shacks of sheet metal, only supported by some pins where they lived three families or more, due to a fire caused by a candle.
For lack, not of money but the most basic needs, people in this community do not pay for electricity service and cutting off the supply company. Nor can "hang" as the entire neighborhood lives in the same precarious.
What raised the kids, probably held in replicas of their parents, there was the tragedy of overcrowding or lack of basic services, but in the shed where the state had temporarily located there were not enough mattresses. The fire disaster, which obviously I did not lose too much, hunger, lack of work was not the problem, but the safe patch that appeased the complaints and reproaches.
Once one of the kids came to me and shouted: "Bryan * is fucked." I was weird because that baby, barely two years old, I knew going to the bathroom. I went and saw him perky on the edge of the toilet trying to reach the chain to pull it, had the pants to the ankles and from the tail to the pants, rolled down there, ran a strip yellow liquid, a yellow almost fluorescent. Bryan was not "fucked." This liquid was dripping coming from your stomach in which there was nothing solid.
Today, the tenement where he lived Bryan was shot down (he was in danger of collapse). Now instead made a beautiful and colorful space to complete the new circuit that is unfolding in La Boca. The Community Dining buds-Garibaldi 1856 - is being refurbished by NIKE, one of many multinational companies that have employees in black working in subhuman conditions. But buds will have mottled walls, vibrant colors, kids with a nose full of snot-until they get away from the area completely, so that the tourists feel comfortable, "safe" and achieve the best pictures in its long-awaited and happy ride. Andrea Trotta
November - 2006
* Not the real name of the child.
Things Put Wedding Cards
Interactive Seminar produced art in public spaces "
The seminar "Art produced in public spaces" was held at the University of La Matanza. The seminar was part of the teacher training driven by the Directorate of Art.
Juan Carlos was coordinated Romero and Andrea Trotta and artists have participated Javier Del Olmo, David Armando Guerra "Acevedo, Munu Actis, Alejandro Aquino Plasencia, Santiago Vila, May Doberti and Laura Kuperman.
(in http://seminario-arteypolitica.blogspot.com can see the complete transcription of the seminar "Art, politics and critical thinking" coordinated by Juan Carlos Romero and Marcelo Pinto I the collaboration of Graciela Pierangeli, May Doberti and Andrea Trotta. The seminar was held at the Cultural Center of Cooperation and was published by the same)
"Abandonment of works," Bad Art 
"Ceamse Sierras," Almost all Group .
(in http://seminario-arteypolitica.blogspot.com can see the complete transcription of the seminar "Art, politics and critical thinking" coordinated by Juan Carlos Romero and Marcelo Pinto I the collaboration of Graciela Pierangeli, May Doberti and Andrea Trotta. The seminar was held at the Cultural Center of Cooperation and was published by the same)
The seminar ended with actions produced by the teachers on December 16, 2006 in the Plaza San Martín de San Justo, La Matanza, Buenos Aires.
the dominant theme was the problem of Ceamse (Coordination Ecological Society of the State Metropolitan Area) which, paradoxically, you should recycle waste is causing serious pollution conditions in areas where trash accumulates. In the area of \u200b\u200bGonzalez Catan, specifically, which of course is not the "Metropolis" - that is to assume time zone in which most teachers work and in some cases, live, has managed to create the Ceamse true mountain of garbage that already exceeds 10 feet. From afar a landscape seems Cordoba. Covered by grass and beautiful trees, the "Saw" on the surface has bright colors and iridescent flashes as one can recognize about waste garbage.
Complaints: 27 years and pollution CEAMSE Aires municipality of La Matanza
Anonymous: wrote "The dump in the town of Gonzalez Catan of CEAMSE continues to operate with high levels contamination of soil, water and air. According Autoconvocados Neighbors of the municipality, in 27 years or there would not even intend to avoid in any way the search for alternatives and solutions to the problem of landfill. The rejection of the population and their garbage Ceamse has appeared in every place where it wanted to move on the last day because of the dire consequences that this poses to the health of people and the environment. "
in http://econoticias.org.ar
They claim that there are kids who have leukemia pollution say
living breathing poison. A silent poison that smells of rotting garbage. Just that you have front of their noses every day. These are families living Wilde in the Towers, a complex that rises from the landfill face CEAMSE.
in http://www.barrameda.com.ar (December 7, 2001, source: Clarin.com)
be published later interventions of the artists who participated in the seminar. ________________
the dominant theme was the problem of Ceamse (Coordination Ecological Society of the State Metropolitan Area) which, paradoxically, you should recycle waste is causing serious pollution conditions in areas where trash accumulates. In the area of \u200b\u200bGonzalez Catan, specifically, which of course is not the "Metropolis" - that is to assume time zone in which most teachers work and in some cases, live, has managed to create the Ceamse true mountain of garbage that already exceeds 10 feet. From afar a landscape seems Cordoba. Covered by grass and beautiful trees, the "Saw" on the surface has bright colors and iridescent flashes as one can recognize about waste garbage.
Complaints: 27 years and pollution CEAMSE Aires municipality of La Matanza
Anonymous: wrote "The dump in the town of Gonzalez Catan of CEAMSE continues to operate with high levels contamination of soil, water and air. According Autoconvocados Neighbors of the municipality, in 27 years or there would not even intend to avoid in any way the search for alternatives and solutions to the problem of landfill. The rejection of the population and their garbage Ceamse has appeared in every place where it wanted to move on the last day because of the dire consequences that this poses to the health of people and the environment. "
in http://econoticias.org.ar
They claim that there are kids who have leukemia pollution say
living breathing poison. A silent poison that smells of rotting garbage. Just that you have front of their noses every day. These are families living Wilde in the Towers, a complex that rises from the landfill face CEAMSE.
in http://www.barrameda.com.ar (December 7, 2001, source: Clarin.com)
be published later interventions of the artists who participated in the seminar. ________________
"Abandonment of works," Bad Art
Aquino Alejandro Plasencia
identification of the work 
" 
_______________________________________
Omar Mena - Laura Meza - Mary Fasi - Cristina Paz - Marta Ciardelli - Sandra Romero - Nancy Sanchez - Daniela Tolosa - Vilma Di Taranto - Susana Cáceres - Silvia Flores
They hit labels with the logo on bottles of water CEAMSE "mineral."
The Ceamse uses an open area (and surface) and there space to accommodate all the waste it produces. The pollution that comes from this is affecting the district and Laferrere Gonzalez Catan, among others. Have detected six different metals (arsenic, chromium, lead, minium-, Nickel, Mercury, cadmium) that cause cancer, affect the central nervous system, pulmonary, reproductive, cardiovascular and respiratory systems. These are just some of the health problems that come with high toxis of these metals. ____________________________________________
"A garbage bag with a flower", Group Improvisation
Formento Stella Maris - Mario Luis Gallitto - Teresa Porcel - Analía Veronica Larrea - Maria Elena Drago
The action had a broad environmental footprint, but in principle linked to the problem of Ceamse. At one end a passerby handed him the bag of trash to dispose of it gave him a flower basket. __________________________________________
"Target Shooting" Poison group
Eleonora Perazzi - Monica Verduri - Carmen Dapena - Javier Savia - Juliana Herrera
The action was to give the target with a dart at some of the officials represented on the styrofoam. __________________________________________
"Asco CEAMSE" Four Elements group
"Asco CEAMSE" Four Elements group
Maria Cristina Herrera - Gabriela Fernández - Julieta Tiraferri - Rodrigo Novoa - Carlos Duarte-Graciela Santodomingo - Patricia Radetich - Diana Batista - Luciana Sánchez - Graciela Pino
The group 4 elements began to take any action against the accompanying Ceamse autoconvocados neighbors Gonzalez Catan, before actions are carried out in the Plaza.
His work can be seen in www.colectivo4elementos.blogspot.com
The label on the base plate with water bottles and colors carry the following logo: "Asco. Consumption of this water is harmful to health "
__________________________________________ " The Game of Life? "Utopia group
Roxana Turkish - Carlos Apaolaza - Adriana Moio - Graciela Bordon - Cristina IAFIGLIOLA -
Nelida Fernandez - Enrique Guy - Silvia Artieda
Nelida Fernandez - Enrique Guy - Silvia Artieda
They made dice to participate were invited passersby to "play." Each side is given by means of a color, a metal from bouncing gases produced Ceamse trash. Once to throw the dice on a map in which reproduce the affected areas. They were distributed to participants a small die, which made the students of teachers who make up the group, containing information on substances that emit these gases and the degree of toxicity of each.
Subscribe to:
Comments (Atom)